All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Dancer Adjusting her Slippers oil on canvas


Dancer Adjusting her Slippers
Dancer Adjusting her Slippers
Painting ID::  804
 
 

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Edgar Degas Two Dancers in Blue oil on canvas


Two Dancers in Blue
Two Dancers in Blue
Painting ID::  805
  1899
  1899

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Edgar Degas Danseuses Bleues oil on canvas


Danseuses Bleues
Danseuses Bleues
Painting ID::  806
 
 

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Edgar Degas Ballet Dancers in the Wings oil on canvas


Ballet Dancers in the Wings
Ballet Dancers in the Wings
Painting ID::  807
  1890-95 Pastel on paper 28 x 26 in. (71.1 x 66 cm) Saint Louis Art Museum, St. Louis
  1890-95 Pastel on paper 28 x 26 in. (71.1 x 66 cm) Saint Louis Art Museum, St. Louis

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Edgar Degas Seated Dancer Tying her Slipper oil on canvas


Seated Dancer Tying her Slipper
Seated Dancer Tying her Slipper
Painting ID::  808
  1880
  1880

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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